Wednesday 26 February 2014
Saturday 22 February 2014
Servants
Heres some footage from our gig last tuesday. Its shot by dsoaudio and Robin Rimbaud (who also took the pic above), then I edited it together. I think youtube has messed up the sync because it worked perfectly on my computer before I uploaded it. Grrr
And heres a review of the gig from the Electricity Club
(click below for the full review)
Friday 21 February 2014
Big Reverbz
Here is a comparison of four of my favourite big and old digital reverbs: Yamaha Rev1, Lexicon 224, Roland R880 and Eventide H3000, recorded in that order. I tried to get similar settings on them, so they all have decay times of around 10 seconds. You really need to listen on headphones to hear the subtle differences between them. I thought the mighty Oberheim Four Voice would be a good way of testing them. Which is your favourite?
Labels:
Benge Studios,
fx units,
MemeTune Studios,
my music,
my video
Monday 17 February 2014
Dream Ticket
Don't forget we are playing tomorrow night, if you are in East london. Get your dream ticket in advance via the Facebook link on the flyer to avoid disappointment... Picture courtesy of the Zeitgeist Girl
Phone Home
Sunday 16 February 2014
Wicked Man
Check this cool film about the music to the Wicker Man. Theres some good friends in it!!! (and my studio)
Thursday 13 February 2014
Flying Visit
Wednesday 12 February 2014
Loop Series One
BENGE
LOOP SERIES
ONE: BUCHLA 100
A series of albums recorded on a single electronic music synthesiser (or group of related instruments incorporated into a system) utilising a method of composing and recording called Looping
Looping is achieved using a technique whereby sounds are recorded either digitally or to tape which is set to loop around upon itself at various fixed lengths of time, ranging from a few seconds up to several minutes depending on the compositional effect required for each individual piece of music
There are many variables within this framework which determine the nature of the composition such as: LOOP DURATION; NUMBER OF CHANNELS; STEREO POSITIONING; LOOP FEEDBACK, etc. Thus, the ‘rules’ of each musical piece can be set up in advance allowing the composition to flow naturally from any given starting point
On this first record the sound source is a Buchla 100 modular analog synthesiser dating from the 1960s. This instrument in itself allows for extremely complex multi-dimentional events to be set up, including elements relating to pitch, timbre, time, duration, rhythm, harmony, reverberation, stereo location and the like. Furthermore it can be manipulated very easily in real time, using the various potentiometers and touch plates. The looping techniques used here included multitrack digital recording (Electro Harmonix 2880), monophonic tape loops (Roland RE501) and various combinations of the two
Tuesday 4 February 2014
Saturday 1 February 2014
A Dog, Mixing
Wrangler on the Wradio
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